The Artist and the Draftsperson in Conceptual Art: the Artist’s Role and the Identity Of The Work In Sol Lewitt’s Wall Drawings

Yazarlar

Hacer Babazade

Referanslar

An, K., & Cerasi, J. (2021). Kim korkar çağdaş sanattan? [Who’s afraid of contemporary art?] (M. Üstünipek, Trans.). Hayalperest Yayınevi.

Burn, I. (1999). The ‘Sixties’: Crisis and aftermath (or the memoirs of an ex-conceptual artist). In A. Alberro & B. Stimson (Eds.), Conceptual art: A critical anthology (pp. 392–408). The MIT Press.

Hogan, J., & Snow, C. (2015). Sol LeWitt’s wall drawings: Conservation of an ephemeral art practice. Objects Specialty Group Postprints, 22, 37–46.

LeWitt, S. (1999a). Paragraphs on conceptual art. In A. Alberro & B. Stimson (Eds.), Conceptual art: A critical anthology (pp. 12–16). The MIT Press.

LeWitt, S. (1999b). Sentences on conceptual art. In A. Alberro & B. Stimson (Eds.), Conceptual art: A critical anthology (pp. 106–108). The MIT Press.

Lippard, L. R., & Chandler, J. (1999). The dematerialization of art. In A. Alberro & B. Stimson (Eds.), Conceptual art: A critical anthology (pp. 46–50). The MIT Press.

Morgan, R. C. (1994). Conceptual art: An American perspective. McFarland & Company.

Yayınlanan

15 Ekim 2026

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